How do Charles Taylor’s arguments about the politics of recognition offer an ethical counterargument against the arguments of the supporters of France’s headscarf ban as outlined in the chapter we read from Politics of the Veil (Scott, 2007). First, outline the arguments of the proponents of the headscarf ban. What definition of equality does it promote? Then formulate a counterargument using Charles Taylor.
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Using Marwan Kraidy’s analytical method of critical transculturalism, how does hybridity appear in the films, The Illusionists (2015) (Links to an external site.)and Gods and Kings (2013) (Links to an external site.)? Using specific examples, compare and contrast how hybridity in these films relate to structures of power (economic and/or political) and to local agency.